Max Coulon, Sculpture of a Square I, 2024

at 0.8 KM
  • bands
  • exhibition
  • Mmmhhh tu sembles intéressé par "exhibition". Clique sur les mots clefs qui te plaisent... et hop ne rate plus rien les concernant. A toi de jouer !

Max Coulon's figurative sculptures draw from a repertoire of found objects, playful forms, and architectural conventions. His sampling techniques intersect with contradictory operations, repairing ruined objects and mishandling ornamental archetypes. He challenges both classical and modern architectonic models, reshaping them through intuitive gestures within and outside the academy. The canonic sculpture logics, which dictate balance, calibration, and symmetry, are destabilized to be more strongly highlighted. The artist casts a glance at the norms and ornamental characteristics of the neoclassical style, neo-gothic creatures, and grotesque fantasies. Their architects erected strong figures and powerful images to support edifices. Both in lineage and in reaction to this heritage, Max Coulon parodies these genres excelling in the art of citation. He treats motifs as inanimate bodies, stirring their substance. His objects, carved from mass, derive from atlantes and caryatids, returning to a primitive state of sculpture, a base relearning to sustain itself. The artist shapes youthful forms with sturdy materials like wood and concrete, being guided by their properties to eliminate technical constraints, thus giving them the body they sometimes already possess. Re-glued pieces and swollen joints give rise to numerous stigmata. By provoking their flaws, these aggregates of molded objects and sculpted raw materials account for a -nomy of materials. Their personalities incarnate in animal figures, bas-reliefs of seven dwarfs, or house models. Generating their own proportion, Max Coulon calls forth a reality at the scale of his anthropomorphic sculptures. This world of toys, parodying that of adults—from comical or morbid characters, including the CRS, the alcoholic, and the landlord—caricatures both their fictions and authority systems.


Good to know

Text: Lila Torquéo, 2021 Presented by Romero Paprocki
Automatically translated from French.


Luxembourg Art Week

Where does it take place?

Luxembourg Glacis square (Fouerplaatz), Ville-Haute Luxembourg

Luxembourg Art Week
Glacis square (Fouerplaatz)
Ville-Haute Luxembourg




SEE MAP

by enovos logo

Weather forecast (Luxembourg)

tue. 3
/ 7°
wed. 4
-0° / 5°
thu. 5
-0° / 4°

REF.#558337 - A MISTAKE? LET US KNOW


Otherwise… check out the agenda

THE AGENDA

see all the things
to do around you

Take Supermiro
everywhere with you.

ios android

Hey, don’t go away...
Get the best
outings around you

All the best deals
events
spots

  • Favorites
  • 2024-10-22 2024-11-24 Europe/Paris Max Coulon, Sculpture of a Square I, 2024 Max Coulon's figurative sculptures draw from a repertoire of found objects, playful forms, and architectural conventions. His sampling techniques intersect with contradictory operations, repairing ruined objects and mishandling ornamental archetypes. He challenges both classical and modern architectonic models, reshaping them through intuitive gestures within and outside the academy. The canonic sculpture logics, which dictate balance, calibration, and symmetry, are destabilized to be more strongly highlighted. The artist casts a glance at the norms and ornamental characteristics of the neoclassical style, neo-gothic creatures, and grotesque fantasies. Their architects erected strong figures and powerful images to support edifices. Both in lineage and in reaction to this heritage, Max Coulon parodies these genres excelling in the art of citation. He treats motifs as inanimate bodies, stirring their substance. His objects, carved from mass, derive from atlantes and caryatids, returning to a primitive state of sculpture, a base relearning to sustain itself. The artist shapes youthful forms with sturdy materials like wood and concrete, being guided by their properties to eliminate technical constraints, thus giving them the body they sometimes already possess. Re-glued pieces and swollen joints give rise to numerous stigmata. By provoking their flaws, these aggregates of molded objects and sculpted raw materials account for a -nomy of materials. Their personalities incarnate in animal figures, bas-reliefs of seven dwarfs, or house models. Generating their own proportion, Max Coulon calls forth a reality at the scale of his anthropomorphic sculptures. This world of toys, parodying that of adults—from comical or morbid characters, including the CRS, the alcoholic, and the landlord—caricatures both their fictions and authority systems. Glacis square (Fouerplaatz), Ville-Haute Luxembourg Luxembourg Art Week
CLOSE

Favorites

To check your Favorites, connect to your account!

CLOSE

Favorites

To check your Favorites, connect to your account!

CLOSE
CLOSE

Customize your results

To get to your Preferences, connect to your account!

CLOSE

Follow a theme

To follow this Theme, connect to your account!

CLOSE

Follow a theme

To follow this Theme, connect to your account!

CLOSE

Follow some Good Spots

To follow this Good Spot, connect to your account!

CLOSE

Follow a Business

To follow this Business, connect to your account!

CLOSE

Drop your Event

To drop an event, connect to your account!

CLOSE

Yes I want to delete it

Yes No
CLOSE

Well done! Your settings have been applied to the other Supernotifs edition

CLOSE

Drop your Event

To drop an event, connect to your account!

tu n'as pas autorisé la localisation ?

CLOSE
CLOSE
CLOSE

Supermiro is getting a makeover for Brussels and Geneva.
The service will not be available for the next few months in these two areas.
But remains AVAILABLE for Luxembourg and the Greater Region.