Director: Jean-Paul Maes
Design: Jörg Brombacher
Music: Pit Dahm/Ken Rischard
Technical Director: Roland Jakobi
Assistant: Brigitte Bintz
With: Timo Wagner, Friederike Majerczyk, Tim Olrik Stöneberg, Neven Nöthig
Are we HAMLET? Do we wander as uncertainly through our lives?
He could not get over the untimely death of his father. He believes a ghost suggested or confirmed to him that this was not a natural occurrence. His mother's quick shift towards his uncle, the brother and heir of the deceased, seems to him another confirmation.
Our Hamlet is trapped in his thoughts, doubts, and inhibitions, gradually perceiving dangers everywhere. Hamlet, a daydreamer?
Shakespeare undoubtedly succeeded with him in creating a masterpiece of complexity within his dithering, constantly believing he was missing opportunities for revenge, only to draw disastrous and erroneous conclusions in the end. A youth possibly abandoned, maybe even ultimately by himself.
That the ghost of the dead father appears to him in the shape of his equally terrified mother, in whom he also sees the much-desired yet ultimately scorned Orphelia, is part of our concept, certainly allowing broad interpretive freedom but also some degree of allusion.
An intimate play exploring human feelings. The four actors carry out the conflict in a confined space while being aware of the ever-present danger from the outside posed by the approaching enemy Fortinbras from Norway. It is unclear whether he will come, or who will intrude into this web. Or if everything will remain as it is.
Where does it take place?
Kaleidoskop Theater
8
Rue de l'École
L-3341 Huncherange
Luxembourg
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